Though the pictures in the Black series seemed rigorously stark compared with the work of those who clambered after Pollock's hectic example, Stella's lines possessed an unmistakable vital energy, like traceries of strange new isotopes through a cloud chamber. The effect of the Black Paintings - the pioneering works of modern minimalism - was a reboot of the culture's visual imagination, which had been staggering to find new footing in the wake of Jackson Pollock's detonations of poured and splattered paint. We've already done it."įorty years after Stella rewrote the rules of contemporary art with a series of monolithic canvases known as the Black Paintings, the scope of the world that he can claim to have covered is still widening. When I make the over-obvious comment that the heap of hard-hat detritus bears a resemblance to the medusas of steel pipes, flanges, and dented rusty tanks that Stella welded together in the early '90s - like the 15-foot-tall Yawata Works, built in seven days to advertise a recycling program in Japan - Stella responds with the unswaggering assurance that is his signature: "We have this world completely covered. Stella is looking down from his second-story window at the busyness in the lot, still radiating a bantamweight's alertness in his sturdy Sicilian frame at 62. A huge crane grinds in a swirl of brick dust, adding debris to a mound of twisted rebar and girders waiting to be hauled away by a truck emblazoned with the accidental poetry one finds all over Manhattan: "Sky Materials." One of the urban temples of Dionysus that packed in acolytes during its heyday from the dawn of acid to the twilight of the acid-washed is being torn down. There's a zone of intensified chaos across the street from Frank Stella's studio, located in a converted carriage house a block off of New York City's Union Square. _ The modern master makes art from smoke, plus a G3 and some off-the-shelf imaging software.
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